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NYC’s dueling Van Gogh exhibits: Here’s the original

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One ear, two exhibits.

Vincent van Gogh fans are lost in the starry internet night of ticket sellers as two competing exhibits about the famed Dutch painter head to NYC. 

There’s the large-scale animated projection exhibit “Immersive Van Gogh” and then there’s “Van Gogh: The Immersive Experience.”

And the Better Business Bureau is warning New Yorkers that one of them is not like the other.

Their names and promotion material are confusingly similar, but those who’ve delved into the differences between the dueling experiences say there’s a huge difference. “Immersive Van Gogh” offers an impressive homage to the late artist created by Italian immersive-exhibition pioneer Massimiliano Siccardi and involving more than “500,000 cubic feet of projections.” It has gotten rave reviews during its multi-city run (“a cathartic and liberating experience,” wrote the Toronto Sun) and sold out in Toronto and Chicago, according to its website. It was even featured in Netflix’s “Emily in Paris.”

“Van Gogh: The Immersive Experience,” on the other hand, promises 360-degree projections, 15,000 square feet of screens, and “a one of kind Virtual Reality interactive,” according to its site, but watchdogs say its European-based ticketing platform is problematic, and fans of the painter say they’ve unintentionally bought tickets for it thinking it’s the slightly shorter-named homage. 

“They had some issues in the past,” Mario Iacampo, a “Van Gogh: The Immersive Experience” producer told CBS of their ticketing platform, Fever, which the Better Business Bureau currently lists as having an F — the worst possible rating. 

“They have 64 complaints over the last three years, 59 of them just in the last 12 months that we’ve closed,” Better Business Bureau president Claire Rosenzweig told CBS. 

“Read the descriptions really, really closely because it may not be the thing you want to go to,” said Kathleen Schmidt, who accidentally bought her and her 13-year-old advanced tickets for “The Immersive Experience” thinking it was “Immersive Van Gogh.” 

The competing exhibit even alludes to the duel on its website.

“Check before you GOGH,” warns “Immersive Van Gogh’s” website. 

“Immersive Van Gogh,” opens in NYC on June 10, with tickets starting at $39.99. “Van Gogh: The Immersive Experience,” opens in NYC on July 1, with tickets starting at $39.90.

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‘Brokeback Mountain’ screenwriter Larry McMurtry dead at 84

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Larry McMurtry, the prolific novelist and screenwriter who won a Pulitzer Prize and an Academy Award for his work, died Thursday at 84.

Amanda Lundberg, a spokesperson for the family, confirmed McMurtry’s death in an obituary published Friday by the New York Times. Lundberg did not respond to The Post’s request for confirmation.

Neither the cause of death, nor where McMurtry passed away, are known.

McMurtry was best known for his anti-Western work, or stories that focused on demythologizing the romanticism of the American West.

“I’m a critic of the myth of the cowboy,’’ the native Texan said in an 1988 interview. “I don’t feel that it’s a myth that pertains, and since it’s a part of my heritage I feel it’s a legitimate task to criticize it.’’

Often cited as his most memorable work, his coming-of-age book “The Last Picture Show” sold over 9 million copies and was adapted into a film starring Cybill Shepherd, Jeff Bridges and Cloris Leachman.

McMurtry was not only respected for his 843-page novel “Lonesome Dove,” which won him the Pulitzer and was made into a mini-series for television, but also for the screenplay for “Brokeback Mountain,” a 2005 romantic drama starring Jake Gyllenhaal and the late Heath Ledger. Co-written with his housemate and collaborator Diana Ossana, the pair won the Academy Award in 2006 for that film, which focused on the romantic relationship between the two men, one a ranch hand and the other a cowboy.

McMurtry co-wrote the screenplay for "Brokeback Mountain," which won him an Academy Award in 2006.
McMurtry co-wrote the screenplay for “Brokeback Mountain,” which won him an Academy Award in 2006.
©Focus Films/Courtesy Everett C

Over the course of more than 50 years, McMurtry wrote more than 30 novels, more than 30 screenplays — and published other works of memoir, history and essays. One book, “Horseman, Pass By,” was made into the film “Hud,” starring Paul Newman. The film version of his novel “Terms of Endearment” won the Best Picture Oscar in 1984.

McMurtry was born the son of a rancher in Wichita Falls, Texas, in 1936. He studied at North Texas State, Rice and Stanford universities. He taught English at the university level, but ditched teaching in his younger years. For about a half-century, McMurtry was also a bookseller. His store Booked Up, in Archer City, Texas, is one of the largest in the nation, according to the Times.

Archer City, where he was raised, served as a model for the town of Thalia, which appeared in his works of fiction.

It’s not clear who survives McMurtry, but he most recently married the widow of his friend Ken Kesey, Faye, in 2011.

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Truth of Pink, Christina Aguilera ‘Lady Marmalade’ feud revealed

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Gitchie-gitchie yourself a load of this juicy drama. 

Sex, divas and shade, honey! Those were the makings of music producer Missy Elliott’s masterful 2001 “Lady Marmalade” remix — which celebrates its 20th anniversary next month. 

While the Grammy Award-winning track — with lusty vocal contributions from pop powerhouse Christina Aguilera, rock ‘n’ roll fireball Pink, R&B dynamo Mya and hip-hop heroine Lil’ Kim — starts off with a sultry salute to “all the soul sistas,” the vibe between the singers was anything but sisterly. 

“I think it’s pretty public knowledge that there was tension between Christina and Pink,” Tina Landon, who served as lead choreographer on the music video for the chart-topping jam, told Cosmopolitan.  

Landon, Missy, Mya and Aguilera all recently revisited the sweet beats and sour notes of working together on the colorful collaborative piece that had almost every millennial sing-screaming “Voulez-vous coucher avec moi, ce soir?” with the radio volume on full blast. 

“It got a little hairy at one point,” the choreographer said of the unharmonious energy between Aguilera and Pink. 

Their bad blood boiled over on March 17, 2001, during the two-day video shoot in Los Angeles. 

“They were all sitting there watching each other work. Paul Hunter, the director, was trying to give Christina direction and she couldn’t hear him,” Landon said. 

“She said, ‘What did you say?’ And Pink reiterated what Paul had said. Christina did the thing: ‘I was talking to Paul.’ I just sank down in my chair going, ‘Oh, God, please don’t let this get worse.’ And it didn’t!”

Although the dance pro remembers the on-set edginess, Pink, 41, said the beef between her and XTina ignited well before a single “Lady Marmalade” lyric was ever sung. 

“[Aguilera’s label executive] Ron Fair walked in and didn’t say hello to any of us,” Pink said of one of the formative meetings she had with her would-be collaborators. She recounted the incident during her feature on VH1’s “Behind the Music” in 2009. 

“He said, ‘What’s the high part? What’s the most singing part? Christina’s going to take that part,’ ” she recalled. 

“And I stood up and said, ‘Hi. How are you? So nice of you to introduce yourself. I’m Pink. She will not be taking that part. I think that’s what the f – – king meeting is about.”

From there, “I just became the a – – hole,” Pink added. 

Pink, Christina Aguilera and Mya celebrate their Grammy win.
Pink, Christina Aguilera and Mya celebrate their Grammy win.
WireImage

But after years of exchanging thinly veiled barbs, unmistakable side-eye glares and nearly resorting to fisticuffs during a heated exchange at a club, the “So What” superstar said she’s made amends with her “Fighter” singing rival. 

“She’s so talented and, deep down, I’ve had bad days, too. She’s a really sweet person. We made up on ‘The Voice,’ ” Pink told Andy Cohen on “Watch What Happens Live” in 2017. 

Aguilera, 40, echoed Pink’s illustration of their newfound friendship to Cosmo. 

“She’s such a powerhouse and definitely paved the way, setting the precedent of pushing back if something didn’t feel right,” she said. 

‘She’s so talented and, deep down, I’ve had bad days, too.’

Pink

Decades-old shadiness aside, Mya, 41, praised “Lady Marmalade” — a remake of Patti LaBelle’s 1974 tune — as the women’s empowerment anthem of the day. 

“It was truly about coming together, being women, being slightly over the top, expressing ourselves, and exuding our bold approach to being sexual beings,” the singer insisted. 

Producer Elliott, 49, reimagined LaBelle’s original version of the song to be used as a seductive hymn for director Baz Luhrmann’s blockbuster “Moulin Rouge!” The ornate film earned Oscar and Golden Globe accolades in 2002. 

Although La Belle, 76, gladly belted out the hit alongside Pink, Mya, Aguilera and Lil’ Kim — all of whom she lovingly refers to as her “little girls” — at the 2002 Grammys, the music legend still demands the world’s respect as the “Lady Marmalade” originator. 

“People loved it and still do today,” the Philadelphia native told Cosmo. 

“When I do it onstage, I have to say to the audience, ‘I did this 100 years ago. These little heifers, they did it 20 years ago and it’s a hit.’ I have to remind them that I did it first. Isn’t that something?”

Pink, Mya, Lil' Kim and Christina Aguilera perform with Patti LaBelle at the 2002 Grammy Awards.
Pink, Mya, Lil’ Kim and Christina Aguilera perform with Patti LaBelle at the 2002 Grammy Awards.
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Jay Baruchel on his starring role in sitcom ‘The Moodys’

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When Jay Baruchel took his starring role in Fox sitcom “The Moodys,” he enlisted his wife’s help. 

“I got sent the script about a month before I was about to get married. If I took the gig, it would mean starting a day or two after our wedding . So of course I had to ask my — at that time — fiancee what she thought,” he said, referring to Canadian model Rebecca-Jo Dunham Baruchel, who he married in 2019. 

“We each cracked open our laptops and sat on either side of the kitchen table and read them simultaneously and were both laughing a whole bunch. That made it easy.”

Season 2 of “The Moodys” premieres Thursday, April 1 (9 p.m.). Baruchael returns as Sean Moody Jr., one of the three adult Moody children. Other members of the close yet dysfunctional family include his brother Dan (Francois Arnaud), sister Bridget (Chelsea Frei) and his cantankerous parents, Ann (Elizabeth Perkins) and Sean Sr (Denis Leary).

“We all get on like a house on fire,” he said. “[Perkins and Leary] are both just so good at what they do, it makes me better, being around them. It’s been wonderful getting to be their fake son.”

Jay Baruchel and Rebecca-Jo Dunham Baruchel at the 2020 Oscars.
Jay Baruchel and Rebecca-Jo Dunham Baruchel at the 2020 Oscars.
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Season 1 revolved around the Moody family reuniting at Christmas when each had their own struggles and self-destructive behaviors: Dan got into a messy love triangle with his cousin’s girlfriend while Sean Jr. was still living with his parents and working at an ice rink. Bridget, meanwhile, was a high-powered lawyer who had recently cheated on her husband. 

Season 2 sees Dan continuing to have love troubles, Bridget getting divorced, parents Ann and Sean Sr. contemplating a road trip, and Sean Jr. chasing “get rich quick” schemes such as a funeral business involving fireworks (to “revolutionize the grieving industry”).

“I am incredibly fortunate that I found a career in acting, because basically if I didn’t get on TV and movies, there’s a very good chance that I am Sean Jr,” said Baruchel. “We’re wired very similarly in that we’re chronic daydreamers — as passionate about the stuff we dig as we are absolutely incapable of doing anything else, to our respective detriments. There’s a lot of me in him and vice versa. But the biggest thing is that I was lucky enough to trick people into giving me a career in movies and stuff.”

Baruchel, who grew up in Montreal and is now based in Toronto, is known for a slew of movie and TV roles, including “Knocked Up,” “Tropic Thunder,” “How to Train Your Dragon,” and “Undeclared.” As high-profile as many of his projects are, fans often approach him about one that’s much more obscure. 

Jay Baruchael returns as Sean Moody Jr. for Season 2 of “The Moodys.”
Jay Baruchael returns as Sean Moody Jr. for Season 2 of “The Moodys.”
philippebosse.com

“Actually I think the one I get recognized for the most is one a lot of people in the States have no idea was a thing. When I was 15, I co-hosted an educational show called ‘Popular Mechanics for Kids.’ It was on all the time up here [in Canada], so it’s like a whole generation of kids that ate cereal every day watching me teach them about centrifugal force. That’s probably the one I get the most love for still, to this day.”

While he was tight-lipped about Season 2 of “The Moodys,” he had a cryptic teaser. 

“It’s pretty crazy. Sean is a very ambitious lad, and he maybe doesn’t always think everything through as well as he should, so I’ll say this: there are monks involved. What would make people interested that wouldn’t give anything away? Monks.”



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