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Are the Grammys rigged? The Weeknd and more artists think so

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Grammys rejects are crying foul. 

Twitter temper tantrums have been all the rage as top superstars became the recording industry’s biggest crybabies after being denied acknowledgment on what’s hyped as “music’s biggest night.”

Sure, this isn’t the first time pop stars have raged at the Recording Academy — but Grammys 2021 is a tipping point beyond bellyaches over nominations snubs.

Explosive claims that the Grammys are “corrupt,” sexist and biased for “the white man” have plagued the 63rd annual awards show since the Recording Academy announced this year’s nods in November.  

After a two-month COVID-19 delay, the controversial awards presentation ceremony — hosted by “The Daily Show’s” Trevor Noah — finally airs at 8 p.m. Sunday, March 14, on CBS.

Until then, peep a list of chart-topping celebs who have cried the blues about being overlooked for the Grammys gold. Are they just sore losers — or are they really on to something?

Zayn Malik

“F—k the grammys and everyone associated,” Malik, 28, cyber-sobbed Tuesday. “Unless you shake hands and send gifts, there’s no nomination considerations. Next year I’ll send you a basket of confectionary.”

The One Direction singer’s foul-mouthed rant came four months after the Recording Academy released its list of 2021 hopefuls.   

Malik, who’s never been nominated for a Grammy, dropped his third solo album, “Nobody Is Listening,” in January. However, the Recording Academy declared his 11-track project wasn’t considered for Grammys shine because it was released after this year’s eligibility period of Oct. 1, 2019 through Aug. 31, 2020. 

The Weeknd appearing lost in a tunnel became an instant meme from the 2021 Super Bowl halftime show.
The Weeknd at the 2021 Super Bowl halftime show.
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The Weeknd

The “Starboy” was seeing “Blinding Lights” when none of his top-charting work from the album “After Hours” received Recording Academy acclaim during November’s nominee announcement.

“The Grammys remain corrupt. You owe me, my fans and the industry transparency…” The Weeknd, 30, cried through his keyboard just moments after this year’s noms were revealed on Nov. 24. 

The three-time Grammy winner echoed his displeasure with the voting committee by likening the snub to a “sucker punch,” and saying “forget awards shows,” during an interview with Billboard in January. 

However, three days before the Grammys 2021 broadcast The Weeknd really went in: “Because of the secret committees, I will no longer allow my label to submit my music to the Grammys,” the “Save Your Tears” singer said in a statement to the New York Times Thursday. 

Recording Academy chair and interim president/CEO Harvey Mason Jr. denied those claims, saying in a statement to Rolling Stone: “Unfortunately, every year, there are fewer nominations than the number of deserving artists … To be clear, voting in all categories ended well before The Weeknd’s performance at the Super Bowl was announced, so in no way could it have affected the nomination process.”

As for The Weeknd’s decision to boycott the show from here on, “We’re all disappointed when anyone is upset,” Mason Jr. said in his statement.

Halsey strikes a pose on the red carpet at the 2017 Grammys.
Halsey walks the carpet at the 2017 Grammys.
MARK RALSTONMARK RALSTON/AFP/Getty Images

Halsey 

Halsey, 26, huffed and puffed and blew “bribes” shade the Recording Academy’s way back in 2019 when her “Manic” masterpiece failed to garner any awards show honors. 

“The Grammys are an elusive process,” the “You Should Be Sad” songstress lamented in a lengthy Instagram Story. 

“It can often be about behind the scenes private performances, knowing the right people, campaigning through the grapevine, with the right handshakes and ‘bribes’ that can be just ambiguous enough to pass as ‘not-bribes.’”

Reps for the Recording Academy did not respond to The Posts requests for comment on on Halsey’s accusations.

Meanwhile, the “Graveyard” singer went on to shade the awards franchise while picking up her 2019 AMA statuette — and later blasted the Grammys for excluding her certified-platinum ballad “Without Me,” from the 2020 noms list.

Justin Bieber performs onstage for the 2020 American Music Awards.
Justin Bieber performs onstage for the 2020 American Music Awards.
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Justin Bieber 

Bieber couldn’t belieb it when his platinum-selling anthology “Changes” earned a nod for Best Pop Vocal Album rather than Best R&B album. 

“Changes was and is an R&B album,” the 27-year-old Canadian vocalist whined on Instagram after receiving his four nominations for this year’s ceremonies. “It is not being acknowledged as an R&B album which is very strange to me.”

While “flattered” by the Recording Academy’s acknowledgment, Bieber continued: “For this not to be put into that category feels weird considering from the chords to the melodies to the vocal style all the way down to the hip hop drums that were chosen it is undeniably, unmistakably an R&B Album!”

The Biebs was apparently so perturbed by his album’s misclassification that he ultimately chose to boycott the awards show all together.

Nicki Minaj
Nicki Minaj performs onstage during the 2017 NBA Awards.
Michael Loccisano

Nicki Minaj

The “Queen” crooner from Queens called out the Grammys for not bowing down to her musical prowess since Day 1. 

“Never forget the Grammys didn’t give me my best new artist award when I had 7 songs simultaneously charting on billboard & bigger first week than any female rapper in the last decade- went on to inspire a generation. They gave it to the white man Bon Iver,” Minaj, 38, tweeted after the Recording Academy selected its 2021 picks for praise. 

Although the “Tusa” rhymer has been nominated for 10 Grammys since 2011, she has yet to ever take home even one little gilded gramophone. 

Kanye West
Kanye West has long been a vocal critic of the Grammy Awards.
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Kanye West 

How pissed off does one have to be to urinate on a Grammy? Apparently, very. 

Amid his 2020 presidential campaign, West, 43, took aim at the Recording Academy in one of his most infamous digital rants. After plunging one of his 21 Grammys into a toilet, the Chicago native showered the trophy in pee and shared an image of the irreverent act on Twitter in September. 

Fellow hip-hop icon-turned-TV-star LL Cool J called West out for disrespecting his Grammys, advising that he “Piss in a Yeezy” instead.

The “Stronger” emcee’s since-deleted liquid rebuke of the awards came amongst a mélange of tweets bashing the music industry for subjecting black artists to unfair treatment. 

Reps for the Recording Academy did not respond to The Posts requests for comment on Minaj and West’s claims of racial inequity in the nomination process and industry as a whole.

The real tear-jerker

Twitter fits from scorned singers notwithstanding, researchers are calling out the fact that women make up less than 3 percent of all music producers and engineers — despite the Recording Academy’s major push for gender equality in the industry.

“Women were 2.6% of producers overall across 600 songs,” according to the authors of a recent study from the USC Annenberg Inclusion Initiative. Their findings were spelled out in tweets published by the Initiative’s verified Twitter account Monday. 

The Recording Academy launched its Women in the Mix Pledge in 2019 as an effort to welcome more lady music masters in the studio. The call to action rallied artists, label executives and other producers to consider at least two women in the hiring process of making any song. 

However, the Annenberg Inclusion Initiative found that the Academy’s efforts failed to generate a single charting song produced by a woman in 2020. 

However, the Recording Academy has started to close the gender gap when it comes to issuing nods to women in the top 5 categories: Record of the Year, Album of the Year, Song of the Year, Best New Artist and Producer of the Year.

But the study noted that out of all the nominees up for the highly coveted accolades over the last nine years, only 13.4 percent were women. 

Some might consider that a crying shame. 



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‘Brokeback Mountain’ screenwriter Larry McMurtry dead at 84

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Larry McMurtry, the prolific novelist and screenwriter who won a Pulitzer Prize and an Academy Award for his work, died Thursday at 84.

Amanda Lundberg, a spokesperson for the family, confirmed McMurtry’s death in an obituary published Friday by the New York Times. Lundberg did not respond to The Post’s request for confirmation.

Neither the cause of death, nor where McMurtry passed away, are known.

McMurtry was best known for his anti-Western work, or stories that focused on demythologizing the romanticism of the American West.

“I’m a critic of the myth of the cowboy,’’ the native Texan said in an 1988 interview. “I don’t feel that it’s a myth that pertains, and since it’s a part of my heritage I feel it’s a legitimate task to criticize it.’’

Often cited as his most memorable work, his coming-of-age book “The Last Picture Show” sold over 9 million copies and was adapted into a film starring Cybill Shepherd, Jeff Bridges and Cloris Leachman.

McMurtry was not only respected for his 843-page novel “Lonesome Dove,” which won him the Pulitzer and was made into a mini-series for television, but also for the screenplay for “Brokeback Mountain,” a 2005 romantic drama starring Jake Gyllenhaal and the late Heath Ledger. Co-written with his housemate and collaborator Diana Ossana, the pair won the Academy Award in 2006 for that film, which focused on the romantic relationship between the two men, one a ranch hand and the other a cowboy.

McMurtry co-wrote the screenplay for "Brokeback Mountain," which won him an Academy Award in 2006.
McMurtry co-wrote the screenplay for “Brokeback Mountain,” which won him an Academy Award in 2006.
©Focus Films/Courtesy Everett C

Over the course of more than 50 years, McMurtry wrote more than 30 novels, more than 30 screenplays — and published other works of memoir, history and essays. One book, “Horseman, Pass By,” was made into the film “Hud,” starring Paul Newman. The film version of his novel “Terms of Endearment” won the Best Picture Oscar in 1984.

McMurtry was born the son of a rancher in Wichita Falls, Texas, in 1936. He studied at North Texas State, Rice and Stanford universities. He taught English at the university level, but ditched teaching in his younger years. For about a half-century, McMurtry was also a bookseller. His store Booked Up, in Archer City, Texas, is one of the largest in the nation, according to the Times.

Archer City, where he was raised, served as a model for the town of Thalia, which appeared in his works of fiction.

It’s not clear who survives McMurtry, but he most recently married the widow of his friend Ken Kesey, Faye, in 2011.

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Truth of Pink, Christina Aguilera ‘Lady Marmalade’ feud revealed

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Gitchie-gitchie yourself a load of this juicy drama. 

Sex, divas and shade, honey! Those were the makings of music producer Missy Elliott’s masterful 2001 “Lady Marmalade” remix — which celebrates its 20th anniversary next month. 

While the Grammy Award-winning track — with lusty vocal contributions from pop powerhouse Christina Aguilera, rock ‘n’ roll fireball Pink, R&B dynamo Mya and hip-hop heroine Lil’ Kim — starts off with a sultry salute to “all the soul sistas,” the vibe between the singers was anything but sisterly. 

“I think it’s pretty public knowledge that there was tension between Christina and Pink,” Tina Landon, who served as lead choreographer on the music video for the chart-topping jam, told Cosmopolitan.  

Landon, Missy, Mya and Aguilera all recently revisited the sweet beats and sour notes of working together on the colorful collaborative piece that had almost every millennial sing-screaming “Voulez-vous coucher avec moi, ce soir?” with the radio volume on full blast. 

“It got a little hairy at one point,” the choreographer said of the unharmonious energy between Aguilera and Pink. 

Their bad blood boiled over on March 17, 2001, during the two-day video shoot in Los Angeles. 

“They were all sitting there watching each other work. Paul Hunter, the director, was trying to give Christina direction and she couldn’t hear him,” Landon said. 

“She said, ‘What did you say?’ And Pink reiterated what Paul had said. Christina did the thing: ‘I was talking to Paul.’ I just sank down in my chair going, ‘Oh, God, please don’t let this get worse.’ And it didn’t!”

Although the dance pro remembers the on-set edginess, Pink, 41, said the beef between her and XTina ignited well before a single “Lady Marmalade” lyric was ever sung. 

“[Aguilera’s label executive] Ron Fair walked in and didn’t say hello to any of us,” Pink said of one of the formative meetings she had with her would-be collaborators. She recounted the incident during her feature on VH1’s “Behind the Music” in 2009. 

“He said, ‘What’s the high part? What’s the most singing part? Christina’s going to take that part,’ ” she recalled. 

“And I stood up and said, ‘Hi. How are you? So nice of you to introduce yourself. I’m Pink. She will not be taking that part. I think that’s what the f – – king meeting is about.”

From there, “I just became the a – – hole,” Pink added. 

Pink, Christina Aguilera and Mya celebrate their Grammy win.
Pink, Christina Aguilera and Mya celebrate their Grammy win.
WireImage

But after years of exchanging thinly veiled barbs, unmistakable side-eye glares and nearly resorting to fisticuffs during a heated exchange at a club, the “So What” superstar said she’s made amends with her “Fighter” singing rival. 

“She’s so talented and, deep down, I’ve had bad days, too. She’s a really sweet person. We made up on ‘The Voice,’ ” Pink told Andy Cohen on “Watch What Happens Live” in 2017. 

Aguilera, 40, echoed Pink’s illustration of their newfound friendship to Cosmo. 

“She’s such a powerhouse and definitely paved the way, setting the precedent of pushing back if something didn’t feel right,” she said. 

‘She’s so talented and, deep down, I’ve had bad days, too.’

Pink

Decades-old shadiness aside, Mya, 41, praised “Lady Marmalade” — a remake of Patti LaBelle’s 1974 tune — as the women’s empowerment anthem of the day. 

“It was truly about coming together, being women, being slightly over the top, expressing ourselves, and exuding our bold approach to being sexual beings,” the singer insisted. 

Producer Elliott, 49, reimagined LaBelle’s original version of the song to be used as a seductive hymn for director Baz Luhrmann’s blockbuster “Moulin Rouge!” The ornate film earned Oscar and Golden Globe accolades in 2002. 

Although La Belle, 76, gladly belted out the hit alongside Pink, Mya, Aguilera and Lil’ Kim — all of whom she lovingly refers to as her “little girls” — at the 2002 Grammys, the music legend still demands the world’s respect as the “Lady Marmalade” originator. 

“People loved it and still do today,” the Philadelphia native told Cosmo. 

“When I do it onstage, I have to say to the audience, ‘I did this 100 years ago. These little heifers, they did it 20 years ago and it’s a hit.’ I have to remind them that I did it first. Isn’t that something?”

Pink, Mya, Lil' Kim and Christina Aguilera perform with Patti LaBelle at the 2002 Grammy Awards.
Pink, Mya, Lil’ Kim and Christina Aguilera perform with Patti LaBelle at the 2002 Grammy Awards.
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Jay Baruchel on his starring role in sitcom ‘The Moodys’

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When Jay Baruchel took his starring role in Fox sitcom “The Moodys,” he enlisted his wife’s help. 

“I got sent the script about a month before I was about to get married. If I took the gig, it would mean starting a day or two after our wedding . So of course I had to ask my — at that time — fiancee what she thought,” he said, referring to Canadian model Rebecca-Jo Dunham Baruchel, who he married in 2019. 

“We each cracked open our laptops and sat on either side of the kitchen table and read them simultaneously and were both laughing a whole bunch. That made it easy.”

Season 2 of “The Moodys” premieres Thursday, April 1 (9 p.m.). Baruchael returns as Sean Moody Jr., one of the three adult Moody children. Other members of the close yet dysfunctional family include his brother Dan (Francois Arnaud), sister Bridget (Chelsea Frei) and his cantankerous parents, Ann (Elizabeth Perkins) and Sean Sr (Denis Leary).

“We all get on like a house on fire,” he said. “[Perkins and Leary] are both just so good at what they do, it makes me better, being around them. It’s been wonderful getting to be their fake son.”

Jay Baruchel and Rebecca-Jo Dunham Baruchel at the 2020 Oscars.
Jay Baruchel and Rebecca-Jo Dunham Baruchel at the 2020 Oscars.
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Season 1 revolved around the Moody family reuniting at Christmas when each had their own struggles and self-destructive behaviors: Dan got into a messy love triangle with his cousin’s girlfriend while Sean Jr. was still living with his parents and working at an ice rink. Bridget, meanwhile, was a high-powered lawyer who had recently cheated on her husband. 

Season 2 sees Dan continuing to have love troubles, Bridget getting divorced, parents Ann and Sean Sr. contemplating a road trip, and Sean Jr. chasing “get rich quick” schemes such as a funeral business involving fireworks (to “revolutionize the grieving industry”).

“I am incredibly fortunate that I found a career in acting, because basically if I didn’t get on TV and movies, there’s a very good chance that I am Sean Jr,” said Baruchel. “We’re wired very similarly in that we’re chronic daydreamers — as passionate about the stuff we dig as we are absolutely incapable of doing anything else, to our respective detriments. There’s a lot of me in him and vice versa. But the biggest thing is that I was lucky enough to trick people into giving me a career in movies and stuff.”

Baruchel, who grew up in Montreal and is now based in Toronto, is known for a slew of movie and TV roles, including “Knocked Up,” “Tropic Thunder,” “How to Train Your Dragon,” and “Undeclared.” As high-profile as many of his projects are, fans often approach him about one that’s much more obscure. 

Jay Baruchael returns as Sean Moody Jr. for Season 2 of “The Moodys.”
Jay Baruchael returns as Sean Moody Jr. for Season 2 of “The Moodys.”
philippebosse.com

“Actually I think the one I get recognized for the most is one a lot of people in the States have no idea was a thing. When I was 15, I co-hosted an educational show called ‘Popular Mechanics for Kids.’ It was on all the time up here [in Canada], so it’s like a whole generation of kids that ate cereal every day watching me teach them about centrifugal force. That’s probably the one I get the most love for still, to this day.”

While he was tight-lipped about Season 2 of “The Moodys,” he had a cryptic teaser. 

“It’s pretty crazy. Sean is a very ambitious lad, and he maybe doesn’t always think everything through as well as he should, so I’ll say this: there are monks involved. What would make people interested that wouldn’t give anything away? Monks.”



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